Friday, August 28, 2015

KATE DERUM AWARD FOR SMALL TAPESTRIES 2015

Our day in Melbourne this week would not have been complete without a visit to the Australian Tapestry Workshop.
The Kate Derum Award for Small Tapestries is on display and will continue until September 25th.
Although this years exhibition has a similar number of entries. The exhibition seemed to be a lot more spread out than I remember in previous years.
Wonderful tapestries, each one, so different from the others.
The exhibition seems to be hung with tapestries of similar colours grouped together.
Cool blues and soft browns, make this a most interesting part of the exhibition.
Congratulations to Marilyn Rea-Menzies from New Zealand for winning the Kate Derum award. A beautifully woven portrait of her doll. For those of us of a certain age, I feel that we can all relate to once having owned a doll with this kind of nylon hair!
Cresside Collette 'Three Transitions' 2014.
A beautiful suite of three tapestries woven in mercerized cotton. Making the images glow.
Marie-Thumette Brichard 'Blue Rocks' 2014
Beautifully woven with such subtle changes of blue.
Louise Martin 'Amara looked at the sun then the lay of the land 2013.
Soft transitions of colour. I have enjoyed reading Louise's articles about her tapestry and travels in the British Tapestry Group  publication 'Tapestry Weaver'
Rachel Hine 'Wild Ride' 2015. Rachel is a former student of the late Kate Derum and worked as a studio weaver at the Australian Tapestry Workshop. A wonderful lively tapestry with its subtle changes of colour and half passes, all make for a successful tapestry.
Velga Lukaza 'KISS' 2014. An interesting tapestry on many levels. Stitching and bead work adorn the surface of the tapestry. A gallery of her work can be seen here.

Judit Pázmány  "Old Fashioned Story' 2012. A stand out tapestry. Both for the fineness of the weaving and the mastery of construction.
Chris Cochius 'Tea time / time for tea' 2015. Chris is a senior weaver at the A.T.W.  An exquisite tapestry and make certain that you read the catalogue for the story behind this tapestry.


Jilly Edwards 'Glimpses and Divisions, Kestle Barton' 2015. A stunning suite of three small tapestries. Sadly taking photos without a flash the soft graduations of colour in this tapestry is a bit 
lost. 




Two of my Facebook friends hanging side by side.
Left Emma Jo Webster 'In Thought' 2013. A lovely portrait with beautiful Chiaroscuro throughout the tapestry.
Right Janet Austin 'Forest Through The Trees' 2015. Beautifully executed tiny tapestry    
Anne Jackson 'The Witchcraft Series: Robin (familiar) 2014. This tapestry is built up using a method of knotting. Wonderfully rich colour changes abound throughout the tapestry.

Julia Rapinoe 'Moondance' 2015 Gorgeous colours and use of eccentric weaving.
Jane Freear-Wyld 'Sea Splash' 2015. I absolutely loved this tapestry, it successfully portrays everything about wild ocean waves.
You can download the complete catalogue and read the selected artist's statements here. 

The inception of the Kate Derum Award, began with a group of people who wanted to recognize Kate's major contribution to the field of tapestry weaving, after she so sadly passed away in 2008.
This is an amazing tribute to her, but I feel that the name 'Kate Derum' will in the future become synonymous with the award. Please don't take this the wrong way, but when you visit a gallery or museum and read... the Joseph Brown collection...etc etc. You tend to only become familiar with what the collection contains and maybe know nothing about the donor who collected and donated it. 
I met Kate Derum way back in 1997, at a talk about her work that she gave at the Ararat Regional Art Gallery. Me an ex tapestry student and a new Mum with a 4 month old baby. Kate was very taken with the way that Coen was engaged with the 'floor talk' and the exhibition around him. I remember that Kate picked him up out of my arms and walked him around the exhibition, having a private chat on the way. I found her to be very articulate, warm and most of all encouraging. To her students, it has been a great loss. Maybe instead of thinking about her name as a major international award for 'tapestry' we should think about the artist behind it. Take some time to look through the website that has been made in her honor. Only twenty years of tapestry practice, so sadly cut short, here.

‘Writhe' Exhibition at the Ararat Regional Art Gallery


Ballarat born, Melbourne-based artist Laura Woodward works in the field of kinetic sculpture.
Her exhibition  ‘Writhe' is currently of display at the Ararat Regional Art Gallery.


It is a fascinating exhibition, that has drawn a wide range of gallery visitors.
The exhibition closes on Sunday. So if you have the opportunity, it is a must see!
Check out the Galleries Facebook Page for more photos.

Thursday, August 27, 2015

THERE AND BACK AGAIN

Sometimes an exhibition will come along that one visit is just not enough to take in the small details that sometime escape us with the excitement of seeing works for the first time. John Wolseley's Heartlands and Headwaters' exhibition is a fine example.
My first visit a few months ago made me realize that I would have to return for a far more leisurely encounter.  
From the edge of the great flood plains of Garangarri and Garrangali N.T  2014
watercolour, woodcut, linocut, graphite pastel, coloured crayon
154.5 x 963
 From the edge of the great flood plains of Garangarri and Garrangali N.T  2014. detail. 
From the edge of the great flood plains of Garangarri and Garrangali N.T  2014 detail. Exquisite!
  Study for a larger work showing how cotton farming is taking over the natural environment. 
The smallest of details to draw you into the picture.
 Caught in flight.
Murray-Sunset refugia with 14 ventifacts (2008–10) and Flight of ventifacts, Mallee (2006–12)
carbonized wood, watercolour and graphite on 15 sheets of paper, 120 x 232 cm
Sadly I am still yet to read the catalogue and there is one work that I have not shared that resonates strongly with me and I will talk about that later.
If you watched the video in the first post about the exhibition and wonder how the 'Fine art of Pelican Tossing' worked out? Here it is. The exhibition closes on the 20th of September. If you have not been to see it yet. I urge you to go. You won't be disappointed. 

Sunday, May 24, 2015

THE VALUE OF JOINING A GROUP

I have been asked for several years now to join a local fibre group. "Fibre Friends' meet twice a month, on the second and fourth Tuesdays at our local Neighbourhood House. Although I have attended their once a year get together with other spinning and weavers groups, I thought that it would be a bit too much of a distraction to my tapestry practice to join. People who love wool....really LOVE wool and it is difficult to pass up really beautiful knitting yarns and even worse the 'to die for' spinning tops!
Tapestry weaving is a very solitary practice. time to yourself to become immersed in your work is mandatory. Knitting of the other hand can be a very social activity.
So last month I decided to bite the bullet and went along to a meeting armed with a long forgotten knitting project. I found it difficult to sit at a table and knit a small project on 4 needles. So after the first meeting I decided to start a new project to take along. Sadly my new projects knitted up quickly, so now I needed a different project to take along. Last year Bendigo Woolen Mills discontinued their 'Rustic' range of 12 and 8 ply hand wash wool. I bought two lots to knit up into jumpers at some time in the future. So as a project, I began one of the jumpers. It took me less than one month to complete, but I may take it along on Tuesday to sew it up. Last night I began an 'Irish Hiking' scarf as a new project to take to the meetings, one ball knitted up already. I am not certain that it will last until Tuesday?
Our group is made up of knitters, spinners, felters and weavers, each with years of experience. I am enjoying the meetings and maybe my wool stash will be a bit smaller at the end of the year.
But it also runs the risk of growing if I look around for new projects to knit. Never mind I could always take a small loom with a tapestry!   
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